BOOK REVIEW: Humankind

books, Reviews

I love this quote by Richard Curtis. It’s true that we only hear about the exceptional so when an unexceptional thing occurs in front of our eyes we don’t believe it.

I started writing this post when it was first published as I devoured it within a week, it was so compellingly written and its ideas different from anything I had read before about the history of humankind. I had to quickly get down my first thoughts about it upon completing reading – my initial thought being ‘who can I share this book with? I need someone to talk about these ideas with!’ For some reason, I didn’t publish that review (what a bad publisher I am!), but despite this review going up a few months after finishing it I felt like it was still a book I had to write about and share my views on because more people need to read this book – its the other side of the argument about humankind, the hopeful version of it, dismissing the modern western Hobbesian idea that humans are born selfish and shedding different, rarely shown, lights on our history.

So. Whats it about?

Humankind: A Hopeful History is a Non-fiction book written by Danish Historian, journalist and Author, Rutger Bregman. I had heard of Bregman when watching his TED talk on Poverty. I found his speech style compelling, some of his points interesting but his argument lacking on a couple of points. It was persuasive but by the end I found myself asking ‘but what about…?’ and ‘why wasn’t… considered?’ Nevertheless when I saw that this book was being published by Bloomsbury in the UK this June (2020) I was intrigued as the premise seemed to be what I was searching for in my next read- something to challenge ‘well known’ interpretations of the past and to be readable -not full of academia jargon like many history, or any ‘professional’ books, are. I’m pleased to say that it exceeded those expectations.

The book spans many different parts of human history. Beginning with the origins of civilisation, about how we became ‘civilised’ and stopped being hunter-gatherers and moves on to looking at modern day tribes, analysing WW2, and finding parts of the past not frequently reported on. The biggest of these being the ‘ Real Lord Of the Flies’, which is being made into a movie soon (you know a book must be good when a film is being made from just one short chapter!) For years, William Golding’s book has provided a blueprint into how we treat people, being used as evidence for our government and how children should be educated. As a non fiction book, there are no real ‘spoilers’, either Bregman convinces you or he doesn’t with his fresh take on history but it is interlaced with stories of its own kind that you might find surprising. The variety in topics covered in this book will mean it will appeal to a variety of readers; whether your’e interested in the history of science, psychology, true crime or literature, this book will give you a new hopeful side to the stories you might have already heard of and some you might not.

Bregman covers a variety of ideas thinking about how history is shaped, about how our current knowledge came to be, about the news and the implications of ‘fake news’ too. As a former journalist himself, it’s fascinating to see reporting and the news through the lens of someone who has worked in it and also seeing someones quest to find truth through all the speculation and coating of the past. It’s also interesting finding out more about how the past and our interpretations of it has shaped us as a species. I also found the research about placebos and nocebos particularly compelling (but youll have to read the book to find out more about that!)

‘Humankind’ & ‘Quiet’:

I read this book alongside Susan Cain’s bestseller ‘Quiet’, a book arguing that introversion and extroversion should be qualities respected equally. This book deserves its own post but it was fascinating reading these two side by side. Bregman focuses occasionally on ideas Cain focuses on in her book, particularly with thinking about psychological experiments and thinking about how we view an ideal self. Cain said of Humankind that ‘Bregman’s application of history leads to a new understanding of human nature.’ it ‘changes the conversation and lights the path to a brighter future. We need it now more than ever’. A statement I can absolutely agree with, in times of rapid change and uncertainty we need to be reminded that we actually might not be born with self centred wired brains, that at the end of the day, we might actually be a species that wants to help each other out. It just so happens that there are a select few who’d rather not, and some that are too easily swayed.

Overall, this book was compelling and thought-provoking, an essential in these times of uncertainty to know that hope isn’t futile. As the epigraph from Chekhov says ‘man will become better when you show him what he is like’ and this book shows us the other side of the coin when it comes to human nature, so read this to better understand what we, us humans, are truly like so that maybe we can be better towards each-other.

Theatre at Home

Theatre

As theatres are closed across the UK during this time many theatres are facing potential closure and are screening past plays and performances online with the hope of keeping Londons theatre scene alive for the future. Some of the plays being broadcasted are free, with an option to donate, and others are screening them as though you are going to the theatre. Here are my reviews of some of the ones I have managed to watch so far. Some of the plays I am mentioning are no longer available as, the national theatre screen their plays for a week only, whilst others also put time constraints on the availability to watch.

The importance of Theatre

Theatres are places for storytelling and there is nothing like being sat with other theatre-goers watching a story unfold live. Unfortunately, during this time we cannot have that collective experience but thanks to companies like National Theatre Live and the passion of independent theatres we are able to enjoy theatre from the comfort of our homes. Being able to portray a story and make it captivating on a stage seems so difficult, yet when its done right it can really add to the story. Theatre, as it is live, involves so much symbolism and creativity with regard to the set or the body language used, to portray a story. And storytelling is so important, particularly in times like these where we might want escapism or reminders of past crises or comfort or a few laughs. These are a few productions I have watched at home that I loved…

Coriolanus

Tonight, the national theatre are screening Shakespeares Coriolanus directed by Josie Rourke (former artistic director of the Donmar and directer of films like Mary Queen off Scots) and starring Tom Hiddleston as the title role.

I was fortunate enough to be able to watch this prior to lockdown and it is an incredibly compelling, modern-feeling take on the play, they really try and quite successfully, make a claim for this being one of Shakespeares best plays. Coriolanus is the hero and defender of Rome but his time of glory may be at an end when there is unrest within its walls. Its a tragedy of political manipulation and revenge, putting into question the purposes and successes of democracy and war. Many find it an unaccessible play as the title character is headstrong and for the most part appears devoid of emotions, however in this adaptation this element is what makes the play so captivating and relevant. They frame this practicality as a man working out his identity as a man, paralleling the personal and the political worlds of the play.

The staging is stripped back, fully focusing on the inspection into human nature and politics of the day. I always think that Shakespeare on stage works best when stripped back – taking away the pomposity, the costume, and all that seem inaccessible to a modern audience – when Shakespeare plays are acted well, then the body language and facial expression speak the words into timelessness. I highly recommend it. Coriolanus is available to stream on the national theatres YouTube channel for 7 days.

The Tempest

Continuing with Shakespeare… The Globes ‘The Tempest’, available on BBC iplayer as part of the ‘Culture in Quarantine’ series, is one of the best adaptations of this comedy that I’ve seen plus you feel transported back to Shakespeare’s day as it is filmed at the globe. The Tempest is centred around Prospero, the wrongly exiled duke of Milan. He is in command of the spirit Ariel (played by Colin Morgan) and has enslaved the native to the island, Caliban. Using magic, he causes the king of Milans ship to be wrecked and all on board are forced onto the island.

Prospero was exiled with his daughter who has never seen another person other than her father and caliban. The play is about family, power and love, and in true shakespearean fashion, these three overlap – there are comic misunderstandings, fools and manipulations. Its a really enjoyable production perfect for when you need an immersive, escapist theatre experience.

There are other Shakespeare performances on Iplayer too, including Izbul Khan’s production of Othello which I equally recommend. It was the first time that a black actor was cast as Iago, shedding a completely different light on the plot and making it more about Iago’s ambition rather than race.

This House

Unfortunately this is no longer available but I thought its worth a mention because of its genius, and hopefully it might come available again at some point. The ‘this’ is ‘This House‘; a political drama written by James Graham (who also wrote ITV’s Quiz) . ‘This House’ is the houses of parliament, and the play is set during the 1970’s period of hung parliament. Written in response to the hung parliament in 2013, Graham has written a timely, moving, at times funny and suspenseful political play to examine the politics of the time with that of the past. In looking to the past we are more able to understand our present and see its parallels. it was incredibly gripping to watch, and it was made to not look like ‘a stuffy Westminster drama’ but rather to be modern, relevant and exciting. This was achieved by involving the audience, having them sit as the government and the opposition on the benches as the play took place in front and within them. The music also complemented the 70’s era with the music of David Bowie complementing the personal and political crises on stage.

The Goes Wrong Show

To get the feel for being in the theatre, the series ‘The goes wrong show’ is very funny and captivating to watch. The whole premise is that the actors are playing characters playing characters in shows that, well, go wrong. It is written and performed by the same people who do the West End shows; the play that goes wrong, the comedy about a bank robbery etc. I first watched this, after many people recommending it, after I watched the play ‘Uncle Vanya’ at the Harold pinter theatre earlier this year on its opening night and during the play one of the characters was using a bell to get the other characters attention. The inner part of the bell fell out as he was ringing it and so the actor had to improvise a different noise to work in the scene. These are the kinds of moment that this show parodies, and I think after seeing a show ‘go wrong’ slightly the series became a whole lot funnier. As the series goes on though, the reasons why the show ‘goes wrong’ gets even more absurd.

Places to watch theatre at home:

Youtube – The Globe and National Theatre at home

BBC Iplayer – culture in quarantine

The Old Vic are streaming Lungs starring Claire Foy and Matt Smith. Its ticketed and the performances are streamed at set times as if you were going to the theatre in person. Tickets go on sale on the 10th June. In the meantime, to hear people talk about their favourite plays, the Old Vic have also started a podcast, called play crush, which you can listen to for free.

If you are a poetry or Shakespeare fan you might also enjoy Patrick Stewarts renditions of The Sonnets that he is broadcasting from home on his instagram. Shakespeares Globe is also doing something similar with a ‘Love in Isolation series’ that you can watch on their social media platforms or on their YouTube channel.

Theatre at home is a great way to feel a reminder of normality; a time when we were able to, without fear, sit next to people and enjoy storytelling and creative performances together. Its truly inspiring seeing people continue to create and share even when the traditional platforms are no longer available to us. I can’t wait to be back in a theatre or a cinema again, enjoying watching something as a collective experience. What plays have you enjoyed watching during lockdown?

Reading in lockdown: 5 hopeful books

books, Reviews, Thoughts

Reading has long been a pastime to help us get through times of crisis, whether personally or globally. Reading is also a great thing to do now that we have a bit more time on our hands! Sometimes, when this all gets a bit too much, a more hopeful read is better to turn to, so these are my top five (they are not in any particular order because I can’t decide which is better!) Each one is a reminder of how wonderful the world can be, some are novels, others poetry but each are hopeful and mostly escapist.

  1. How to Stop Time By Matt Haig.

Matt Haig is renowned for his writings around mental health and positivity. This book is one of his few fictional works which centres around a man who ages much slower than the average human being so has seen considerably more of the past. Haig takes the reader compellingly from the time of witch burnings to Shakespeare to the present day. If you are struggling during these times you may wish also to check out Notes on a Nervous planet (for anxiety) or Reasons to stay alive (for depression). We are all finding our way through these uncertain and changing times in different ways, and some are coping better than others. But know that you are not alone if you are struggling. Scarlett Curtis’ book ‘Its not okay to feel blue and other lies’ also might be useful.

2. The Lord of The Rings By J. R. R. Tolkien

A book centred around companionship and unity, as well as myth, wizards, elves and hobbits, Tolkien wrote the book based on his friendships as well as with his love of medieval mythology.

“The World is indeed full of peril, and in it there are many dark places; but still there is much that is fair, and though in all lands love is now mingled with grief, it grows perhaps the greater”

J. R. R. Tolkien, The Fellowship of the Ring

3. The Poetry Pharmacy, William Sieghart

Poetry is often a source of solace during difficult times, and through these books Sieghart seeks to console the emotions with a suitable poem. Simply flick to the feeling of your choosing and have a read. Emilia Clarke is also currently doing readings of these poems on her instagram, along with other actors such as Stephen Fry and Andrew Scott which you can check out to get a taster, and when you buy the book all profits go to her charity ‘Same You’.

4. A Pair of Silver Wings By James Holland

Sometimes a reminder of a past crisis that people got through can bring hope for current ones. This is a really endearing book about friendship and love during the war as well as focusing on some mental health issues.

5. Silas Marner by George Eliot

This is quite a short novel based around someone who feels like an outsider in a new town slowly learning how to love life again. It’s a lovely read that demands its reader to look for hope in new, simple places.

Other honourable mentions:

‘Inferno’ by Dan Brown. This may not be overly hopeful but it is topical. There have been a few religious conspiracy theories around this time about this being about the revelations coming true. This book subtly deals with that through the issue of human overpopulation. It is a really thought provoking book, you can read my review here. It isn’t one for escapism out of the issues we are having today, but if you fancy diving deeper into the implications of scientific discovery and disease this is a compelling fictionalisation of it.

Frankenstein’ by Mary Shelley. This is one of my all time favourite books, it focuses around two characters mainly, Dr Victor Frankenstein and his creature, scrutinising what it means to be good or bad. Shelley brilliantly plays with the readers idea of what a monster is and how we define it. If you haven’t read it, it is a classic that is worth reading.

Poems you can read online:

Hope is the thing with feathers‘ by Emily Dickinson. A poem about hope as a bird coming and going that is always there even if you don’t notice it. This is a great poem for when hope is needed most.

This poem is interesting too although i’m not sure who the author is or where the source of this poem comes from.

Another book that sounds hopeful, as it is in the name, is Humankind: A hopeful history by Rutgar Bregman which is published tomorrow. I can’t wait to have a read and find out what it is like, apparently it’s a bit like ‘Sapiens’.

That was quite a lot more books than five but I hope at least one of them sparked your interest. This is a difficult time for people all over the world, but I hope you are well and finding ways to find some kind of normality. If there are any other books that have helped you to do so please let me know in the comments, I’d love to find more hopeful books to read!

  • If you are considering purchasing any books during lockdown and want to continue to support small hughstreet bookshops please consider buying them from Hive, an online retailer of books that supports small businesses.
  • For more on how books have helped in the past, this is a fascinating article from The Conversation about how books helped people keep calm during WW2.

THEATRE REVIEW: Cyrano De Bergerac

Reviews, Theatre

The Jamie Lloyd Theatre company production of Cyrano De Bergerac has just finished in the West End but it is going to New York soon. I saw the play for the dress rehearsal when the company were doing a pay-as-much-as-you-can showing as part of their ‘theatre is for all’ campaign. As a student it can be difficult to afford theatre and I think it’s such a great idea to get more young people or people who can’t afford it to go and see a play. Often theatre is regarded as this portentous thing for the wealthy so I think it is so great that the company are trying to make it as accessible as possible.

The play Cyrano De Bergerac follows ‘Cyrano, a talented 17th-century playwright [and soldier] who pursues a woman named Roxane. While he may seem to have a glittering career, his outlook on life is plagued by narcissistic views around him, as Cyrano uses language in order to allure his lover.’ It’s a heartbreaking love story focusing on Cyrano, Roxane and Christian (a new fellow soldier who is more physically attractive than Cyrano but does not have his mind for words and language).

The play itself completely blew me away – I knew it was gong to be a reboot of the classic play (written by Edmund Rostand in 1897) with a modern spin and probably quite paired back as it was directed by Jamie Lloyd. But it completely brought the story into the modern day – making the poetry seem more like rap, giving poetry this ‘cool’ spin and injecting some youth back into it.

The staging was paired back, just concrete walls and floor laid bare except from a few microphones and stands and some stairs when it came to the battle scene. The microphones on stage really emphasised the themes of the importance of having a voice and the power of the spoken word. To me the play really encapsulated the phrase-

“The pen is mightier than the sword” – that words can wield just as much, if not more, power and importance.

This is a message really relevant today, in our world of questioning authority- asking the questions of who should have power and why. And showing the importance of welding the power of words whilst also being wary of them as they may not be the speakers own.

James McAvoy plays the titular role of Cyrano. They have chosen to have this character without the traditional over the top large nose, choosing instead to draw attention to the other more important themes in the play; from unrequited love, to vanity, to what manliness looks like, to the power that words can wield.

The character of Roxane, played by Anita-joy Uwajeh, is given a modern day reboot as well giving her much more prominence and a voice in the play. Roxane is Cyrano’s love interest in the play, but this adaptation makes her less passive.

Overall, this play was breathtaking, completely transforming a classic into the modern day reminding us of how important words are. All performances by the actors were phenomenal, using staging like above to emphasise some of the plays most important themes. If you are heading to New York, or live there, and looking for something to see I would really recommend checking this play out – it will blow you away.

International Women’s Day

Film

Today is International Women’s Day – a day to celebrate everything that women have achieved so far and to recognise the importance of empowering each other. Below is a poem I wrote to show what it means to me:

A short poem written by me to show what international women’s day means to me.

I am very much an amateur poet but I thought this would be the best way to express what it means. There is still so much to be done to achieve equal opportunities for both sexes but today is a day in which we can celebrate all of the successes of women, and of the women who though they might not have done anything extraordinary, lift us up and inspire us in our day to day lives. For me, these people are my Mum, my sister, my gran, my nan and my friends. Each and every one of them support or give advice or are always there for me and I’m always so grateful to have them to act as my role models.

There are so many people out there currently too who are so inspirational; from Michelle Obama, Oprah, Malala, Emma Watson – they are all out there to spread the message of equality and empowerment. Today is a day for you to think as a woman ‘Yeah, I can do this. I can achieve my dreams. There is nothing stopping me.’ Today is about instilling belief in yourself, no matter how crazy, or how impossible you think you’re dreams might be.

To see some of the incredible things women can do, here are ten films that remind me of how strong and capable we are. Some are to do with the subject matter, some are incredible female lead performances, some are made by incredible female film makers.

  1. Lets talk about Greta Gerwig – Little Women was out late last year. Her directing debut Ladybird got her a directing nomination. Both feature incredible performances by Soairse Ronan, and Gerwig’s writing about the female experience is brilliant and touching. If you haven’t seen either of these then go see them!
  2. The Aeronauts, directed by Tom Harper but Felicity Jones’ performance as the Aeronaut, Amelia, was phenomenal and she gives one of the best action sequences I’ve ever seen in a female lead.
  3. Hidden figures features phenomenal performances by Octavia Spencer, Janelle Monae and Taraji P. Henson. Based on the book of the same name by Margot Lee Shetterly, all about the stories of the women behind the Apollo mission to get the first man on the moon. A really inspiring story, and a reminder of how the stories of many female figures in history are often forgotten and left behind.
  4. The Suffragette – to take you back to the roots of female suffrage
  5. Mary Queen of Scots, Directed by Josie Rourke and features two stellar lead performances given by Soirse Ronan and Margot Robbie about two queens and their struggle to hold power in a man’s world.
  6. Ophelia directed by Claire McCarthy. The film looks at the passive voice in Shakespeare’s Hamlet and tells Ophelia’s side of the story.
  7. Julie and Julia directed by Nora Ephron. A really great ‘Sunday afternoon’ watch. It’s a sweet plot all based around food, fame and role models. And it stars Meryl Streep and Amy Adams as Julie and Julia.
  8. Wonder Woman directed by Patty Jenkins. It’s all in the name so I couldn’t not include it in this list. Theres also Captain Marvel that came out in March last year which very much focuses on the oppression and rise of women. Both are great, but I found Wonder Woman a better watch because I don’t always like to be reminded of the oppression of women when i’m watching a film and it did kind of deter it off of the storyline.
  9. Becoming Jane – a story of acclaimed writer Jane Austin’s Life and the love story that supposedly inspired her novels. It is a romance with a more tragic ending than her novels but it also tells of her struggles to be a female writer and to be independent in a world in which she was expected to marry.
  10. Kathryn Bigelow – the first and only woman to win best director for ‘Hurt Locker’, she also directed ‘Zero dark thirty’ starring Jessica Chastain. Admittedly, I have only watched the latter and that was a really great film showing a woman in a profession full of men, and it was based on a true story.
  11. There is also a great short film called “Leading Lady parts” which was directed by Jessica Swale, its all about the hypocrisy of how films are cast.

There was also a preview today of Radioactive, a film about Marie Curie, starring Rossamand Pike and directed by Marjane Satrapi, that I wanted to see but couldn’t make it – to anyone who has seen it, what was it like? Was it good?

There are also so many other great films out there, but these are the first ones that came to my mind and were films I really enjoyed. I tried to stay fairly recent too, so sorry if I missed some golden oldies off of the list. Please feel free to leave any suggestions in the comments below – I need some new great female led/directed films to watch.

THEATRE REVIEW: The Lehman Trilogy

Reviews, Theatre
At the Piccadilly theatre

I saw The Lehman trilogy last summer in London but today it opens in New York on Broadway. It is such an incredibly directed and performed play that I had to write something about it – so any readers in New York or planning to visit soon this is for you.

The play tells the history of the Lehman brothers who changed the world of capitalism, it is a 163 year saga beginning with the story of a young man in Bavaria dreaming of a new life then following the founding of a financial company as it encounters success for over a century and a half until it spectacularly evaporates in the 2008 global economic crisis (playbill).

The play, by Stefano Massini and adapted by Ben power, is directed by Sam Mendes (1917, Spectre, American Beauty etc). Mendes’ approach is fairly paired back, choosing to cast just three actors to represent the titular roles. There is no fuss, just three actors, glass walls, a few boxes and tables and chairs creating an incredibly intimate tone as the audience peer in at the making and breaking of a family. The actors often don’t change costume either showing three men ageing, new generations emerging and the world around them rapidly changing.

“The Lehman Trilogy” directed by Sam Mendes, at the Park Avenue Armory, during a dress rehearsal, on March 21, 2019. North American Premiere by Stefano Massini Sam Mendes, Director Es Devlin, Set Designer Katrina Lindsay, Costume Designer Luke Halls, Video Designer Jon Clark, Lighting Designer Starring Simon Russell Beale, Adam Godley, and Ben Miles .

It is performed by three actors: Simon Russell Beale (The Hollow Crown etc), Adam Godley and Ben Miles who each play one of the Lehman brothers and various other characters throughout. I know that sounds a little strange and I thought it would be difficult to really get into the story if the actors are constantly changing characters but it didn’t feel awkward or confusing at all. Simon Russell Beale was particularly fantastic in it, putting on different voices and completely changing his posture and his mannerisms, physically embodying each character as he shifted through them. It also allowed for some comic moments when an actor acted out a character that you didn’t expect them too – you may notice that there are no female actors but women were not absent from their story.

The set was also ingenious, having a rotating glass box on set which contained three rooms – each containing either cardboard boxes or tables. There seemed to be a theme of threes in this play – 3 actors, 3 brothers, 3 rooms, 3 acts, a trilogy. It was also three hours long.

The length was of some concern to my sister, who did not find the play as enjoyable as I did. There are two intervals but the length can mean that you have to be prepared as an audience member to focus for three hours. The play consists of a lot of dialogue so you need to listen to understand the plot which I know some people are not fans of for such a long period of time – it’s the same reason that a lot of people are put off of watching Hamlet.

Overall, to quote The Times this play really does show ‘Theatre at its best’. Mendes paired back approach, combined with a compelling and complex story and incredible acting by all three actors makes this a really enjoyable, thought provoking theatre-going experience.

THEATRE REVIEW: Uncle Vanya (2020)

Reviews, Theatre
At the Harold Pinter Theatre

A few weeks ago I saw Uncle Vanya, it is a Chekov play about a crumbling family, described on their website –

“In the heat of summer, Sonya (Aimee Lou Wood) and her Uncle Vanya (Toby Jones) while away their days on a crumbling estate deep in the countryside, visited occasionally by only the local doctor Astrov (Richard Armitage).
However, when Sonya’s father Professor Serebryakov (Ciarán Hinds) suddenly returns with his restless, alluring, new wife (Rosalind Eleazar) declaring his intention to sell the house, the polite facades crumble and long repressed feelings start to emerge with devastating consequences.”

In Conor McPherson’s new adaptation of the play, directed by Ian Rickson, Chekov’s story gets a more modern reboot despite being set in the 18th/19th century. The two ‘big names’ in it are Toby Jones who plays Uncle Vanya and Richard Armitage (The Hobbit, North and South, The Stranger etc.) plays Astrov, the doctor. Both performances are brilliant and Toby Jones portrayal of a man in bottled up anger, madness and betrayal is very moving. Armitage’s character in comparison is very surgical and precise in expressing his emotions, but the suppression of the feelings of pain at seeing so much suffering (a little like PTSD) is profound. Aimie Lou Wood, for me, however was the star of the show, her portrayal of Sonya is truly tragic – the character ends up much in the position as Uncle Vanya yet she is the one that bottles up her emotions and helps him to get on with life.

The concept of the play is a bit like a tornado has hit, it begins and ends almost the same way with the action stemming from the arrival of the professor and his wife. Then the action disappears when they leave but the family still have to deal with the repercussions and the effect these two people have had upon them. The tone is definitely a tragic one, but there are moments of comedy especially at the beginning through Uncle Vanya’s character who attempts to bring some lightheartedness to the situation.

The staging is beautiful, it looks like something out of a renaissance painting with plants and chandeliers hanging. The way they have used lighting as well was genius, using the weather to reflect the mood of the scene. In times of joy, the set was illuminated with a warm light whereas in times of pain and sorrow, the stage is dimly lit and cold.

In terms of price it wasn’t too costly. We got the cheapest tickets at £15 so we were right at the back but the view wasn’t that restricted. It is quite steep seating in the Harold Pinter Theatre though, so if you’re not a fan of heights I would probably recommend going for seats closer to the stage although they are more expensive. We went on opening night too so I was surprised we managed to find tickets that cheap, when we arrived they had the red carpet rolled out with people having champagne and press photos taken of the celebrity guests who were there.

Overall, everything about this play is so beautifully set out and it had been given a very modern reboot although set in an 18th century style. The play itself is thought provoking but if you like stories to have more movement with characters going on more of a journey arriving at a different destination, so to speak, this might not be for you.